Cinematic shorts · 0:30
Signal
Alone in an Arctic relay hut, a radio engineer picks up a signal that shouldn't exist.
How it was made
['Location plate of the empty hut first, then a character plate of Ira made on that set.', 'Four keyframes (exterior, wide, close-up, over-the-shoulder reveal), each with both plates attached.', "Four 8-second clips, one camera move each; the 'voice' on the radio is wordless sound design, not a voice actor.", 'Minimal synth score timed to the reveal at 20 seconds.']
What it shows
- A location plate plus a character plate keep the same room from four angles, with tension carried by sound.
The key prompt
Photoreal cinematic film still, shot on a large-format digital cinema camera, anamorphic 40 mm, subtle 35 mm film grain, cold blue-teal night palette with one warm amber practical lamp, 4:1 lighting ratio, volumetric haze, natural skin texture. No digital sharpness. Wide shot from the doorway inside the hut, same room exactly as the first reference: the woman from the second reference at the radio desk, back three-quarters to camera, adjusting a big tuning dial. No text, no letters, no logos, no watermark.
AI-generated film. Tools: Google Flow (Nano Banana Pro, Veo 3.1), ElevenLabs, DaVinci Resolve.